![]() So when we made a color negative we had cross-color contamination.” “Because the three-strip Technicolor process was not meant to create a color negative. “The photochemical restoration had been done before on this feature, I think it was 1987,” was not entirely successful,” said Ned Price, chief preservation officer for Warner Bros. Also the dye-transfer prints of the time, while famous for their rich, luminous color, were also a bit soft. The digitally restored scenes reveal more detail than audiences saw in 1939, because the negatives couldn’t be perfectly aligned for printing in that era. So after they were scanned, they were digitally altered to align again. ![]() However after 70 years they’d shrunk and no longer aligned properly. The picture had been remastered from different prints for each of its seven previous homevideo releases, but there had never been a digital restoration that used the original negatives.Īs it turned out, the camera negatives were safely in a vault at the George Eastman House and in fine condition.
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